If there is such a thing as omens, then Monday's printing would be a good one. I went slow and examined each part of the routine for changes I might like to make ( for example, I made a slight adjustment in paper size during tearing, because it might make the smaller pictures more compatible with ready-made frames now available). When I finally started composing, I kept it simple and tried to be conscious of negative space. When you are working with a limited color palette ( in this case black, and mid-value gray), It implies that white ( the paper) will be one of your colors, so use of negative space in the printmaking is essential.
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